What’s in a book ? and anyways, why are books so magical ? I've some thoughts on the matter and may at this point share them.
A book is a containment system for knowledge. Whether it be a clay tablet, scroll, codex or electronic application; a book is a compartmental unit of specific information. The information contained may be of any level of importance, everything and anything; understanding modern plumbing, instructions for burning witches, recipes for delicious cakes and pies, poetry, history, nonfiction, and fairy tales. Irregardless of relevance, form or content, engaging with a book is an act of revelation. Open up the covers, and we are in, experiencing the word, entertained, and enlightened.
This wise stuff aside, the book in codex form has another, more inappropriate function. It can be used to conceal an object. This old chestnut... take a big book in hard covers, one seldom opened, commonly the Bible. Open the book and cut holes in the pages , until you have created enough usable space, to hide something important. Place your secret object in the book, close the covers, and place the book on a bookshelf. Excellent! you have successfully hidden the goods in a manner no one will ever suspect.
Now that I've given you the background information, this is what you are looking at. A book, a medal, my latest publication: The Robert Reid Medal, to be precise. The medal was commissioned by
the Alcuin Society and named after Robert Reid, a pioneer in Canadian book design. Presented nationally, the Robert Reid Medal celebrates lifetime achievement in book creation. The design was carved by my hand then cast in bronze at the studio of my colleague
Jess Sarber. After the medals were cast, each one was hand finished by me. This work was completed in an edition of 25 with 5 artists proofs.
Regarding the revelatory and concealing power of books, it seemed most fitting, to encase each medal in this manner. Within this context the medal becomes a dimensional illustration, and since I've taken to publication as an act of contemporary art, it would be reasonable to assign an ISBN to this project. The book itself consists of an essay written by Yosef Wosk, regarding the value of a life spent in creation. The typography was designed electronically, burned into polymer plates, then printed and bound at
Black Stone Press. A purpose built and published work to simultaneously protect and reveal a lifetime of excellence.
